Gentleman in a Fedora

I may have mentioned before that my lighting instructor is an award-winning photographer. His bread and butter is commercial photography, but his photography goes far beyond. On the first day of class he showed us some of his work, and later we learned more of the back story to many of his shots through this program, The Work of Art, produced by KNPB. I highly recommend watching it and it will give you a great idea of who Jeff Ross is as an artist and a human being.

I had a routine visit with my cardiologist today. Actually, it wasn’t that routine as my regular EP, Dr. Dhir, has left the practice and I was seeing a “new” doctor today: Dr. Letitia Anderson.  The last time I’d seen Dr. Anderson was in November 2009 when I was in the emergency room at Renown prior to being admitted for four days of observation. I liked her then, and today’s visit confirmed that I made the right choice in requesting her after Dr. Dhir’s departure.

Yes…there is a connection here. Patience!

Dr. Anderson wanted me to get my pacemaker read and as I was heading into the waiting area I saw an elderly black man checking in with the receptionist. I immediately recognized him as the gentleman in this photo.  A super-sized version of this photo hangs in Jeff’s studio in Reno and it moves me very much.

And there he was, looking just as he did in the photograph. Same hat, same expression, same demeanor.

At first I wasn’t going to say anything to Mr. Marks, but I felt drawn to him. I wanted him to know I knew who he was, and so I walked up to him and said, “I know you from your photograph.”  We chatted briefly; I told him how much I loved Jeff’s photograph of him. He remembered Jeff and the photo.  I touched the sleeve of his trench coat with my left hand, and he reached for my right hand to hold it.  I told him that I would tell Jeff tonight that I’d seen him. We said good-bye.

And then he smiled at me and kissed my hand.

Cross-posted at Blue Lyon

Day 66 – Outside the College of Education, UNR

The buildings on the University of Nevada, Reno campus are beautifully lit at night and this back-lit bronze sculpture outside the William J. Raggio Building caught my eye this evening as I was leaving class.

© Carissa Snedeker

Day 65 – Concrete Factory at Twilight

Shot in Fernley, NV at about 6:20 p.m.  I processed this shot first in Lightroom 3.6 and then fine-tuned it in Photoshop. I shot this at 1600 ISO due the low light and the fact that I wasn’t using a tripod. Lightroom allows me to quiet the noise in a way I am not able to do in Photoshop.

Day 64 – At the pond

I had a breakfast meeting and then needed to go shoot my friend for my lighting class assignment, but I had a few moments to myself between both appointments so I stopped by the pond near Nevada Power.  The weather was gorgeous. If we’re not going to get winter, then I’ll settle for this!

© Carissa Snedeker

© Carissa Snedeker

© Carissa Snedeker

Day 63 – Shooting for a magazine – Practice!

Our next assignment for our lighting class is to shoot a photo that could be submitted to Edible Reno-Tahoe magazine. The magazine “celebrates the local food culture, season by season.”  Published quarterly, the magazine focuses on local restaurants, organic farms, bakeries, etc.  I have a friend who is an amazing cook and is going into business with a friend of hers to produce savory preserves and confits under the label, Edible R&D.   She has agreed to let me photograph her and her product for this project, so today I practiced one of my photo ideas so that I wouldn’t be fumbling around tomorrow. I grabbed a jar of apple butter from the fridge and got to work.

All photos were shot in our living room using diffused daylight from the large windows directly behind the camera. The idea with these shots was to focus on the product, yet have someone in the shot “pitching” the product so to speak, but not be the focus of the shot. Therefore, the person (in this case, me) is deliberately behind the focal plane of the product. I’ve included several photos to show where I went wrong as well as where I think I went right.

First I set up the product and made sure my camera was exposed properly:

ISO 400, f/6.3, 1/50s © Carissa Snedeker

I then added myself to the picture, but you don’t get to see the early shots. Why? (A) no make-up, and (B) rumpled shirt. However, the shots sans make-up gave me important information, so I ran and changed my shirt and threw on some make-up and got down to it.

Posted in order taken.  I like this one, even though the product isn’t straight, but I’m not too happy with how crunched my shoulder looks.

ISO 400, f/6.3, 1/60s © Carissa Snedeker

This one…same shoulder crunch and my blouse is distorted on the right (showing the outline of my pacemaker).

ISO 400, f/6.3, 1/60s © Carissa Snedeker

I really like this shot, and think it may be my favorite. For one thing, it obeys the rule of thirds (which one shouldn’t always get locked into, but should always be mindful of).  My face is in the upper third of the photo and to the right, the apple butter pretty much in the middle third and by being to the left helps balance my face, with the foreground making up the bottom third of the picture.

ISO 400, f/6.3, 1/60x © Carissa Snedeker

This one is okay, but I’m not too crazy on how centered I am.

ISO 400, f/6.3, 1/60s © Carissa Snedeker

And finally, beware of the disembodied hand. Because I chose to drop my left arm from the portrait and the way I’m holding the jar with my right hand, it doesn’t look like the hand holding the jar even belongs to me. Huge mistake, but I wanted to post it. I’ve actually seen ads in magazines that have mistakes like this, but it is usually the result of Photoshop manipulation gone awry. This one is just a straight up photo boo-boo.

ISO 400, f/6.3, 1/60s © Carissa Snedeker

Day 62 – Now that the drugs have kicked in . . .

I had to visit my periodontist today for two gum grafts. Needless to say, I’m not on top of the world. But I’ve got drugs.

Taken before the fun began, I couldn’t help but notice this syringe looked like it had been around for a while. Hey, if it still does the job (and it did), why not keep it around as long as it’s useful?  Hmm…I think I just said something profound (or it’s just the drugs talking).

© Carissa Snedeker

Off to take a nap now.

Day 61 – Cooperative Kitteh

Busy day!  No chance to shoot anything worthy of posting here. Luckily I have critters!

We had a guest speaker tonight in our lighting class. He gave a rapid fire presentation on Speedlite flash photography and my brain is reeling. It will take me some time to absorb what he told us, but I did latch on to a couple of concepts and had to try to apply them when I got home.

I learned the difference between TTL mode and manual mode and how to lessen the intensity of the flash so I experimented with stopping down the flash so that it wasn’t as intense.

This is Maya.  She was resting on the back of the sofa about an arm’s length from me. Shot at 100 ISO, f 9.0, 1/160s. Manual flash at 1/4 which I learned tonight (a) how to do and (b) is not one-fourth of intensity but rather 2 stops down.   Thank goodness she puts up with me!

© Carissa Snedeker