Practice, practice, practice!
UPDATE:
Set up for first two: Soft box to camera left at a 45º angle. About 5 feet in the air, angled down slightly. Reflector card to right of peppers.
Third shot: same but dropped soft box a couple of feet. You can see the change in direction.
Set up for wine glass shot: Moved soft box light so light reflected off backdrop through wine glass. White reflector card held above and to right of objects for fill.
White continuous backdrop (which is a window shade, $11 at Walmart) for all.
Also, I’ve started a Still Life gallery at SmugMug which will give you all the details on ISO, aperture and shutter speed.




Really, really good.
Ever considered adding shooting data, set-up, etc.
LikeLike
Update added to post.
LikeLike
I assume you shoot from a tripod? Do you compensate for the flash, or is it a constant light source? I ask because of the metering.
Eventually I’ll have to start playing around with lighting . . . I’m often asked to shoot stuff for work (equipment and stuff). I should learn to do it right.
Thanks.
LikeLike
Also, and I think you mentioned it once before, wondering about the equipment. I seem to remember you mentioning a kit or stand-alone softbox, but was wondering about the make and associated pieces.
I know . . . nosy bastard, I am.
LikeLike
I got a cheap set of softboxes with stands from Amazon. Cowboy Studio. Reflector card is white posterboard.
LikeLike
Yes, absolutely used a tripod. Used my camera’s light meter set at spot meter. I do, however, have an incident light meter but didn’t use it this time. Did not use flash/strobe with this. Continuous light.
LikeLike
What brand posterboard? What size do you use?
. . . yes, I kid . . . well, I adult, but I am joking.
LikeLike
By the way, thanks for the info.
LikeLike
Love your photos. I struggle with lighting. I’m with Emilio – would you be willing to give us a little info on your set-up. Thanks so much.
LikeLike
Update added to post.
Thanks!
LikeLike
Thanks.
LikeLike
Have you ever seen Edward Weston’s peppers? You should take a look.
LikeLike
Yes, I have. That was kind of my inspiration for these, however, I couldn’t find any “deformed” ones. I’ll keep looking!
LikeLike
Yeah, it’s hard to find a deformed pepper unless you grow it yourself.
LikeLike
Wow . . . she just called you out as a poor pepper grower.
LikeLike
Great images! 🙂
LikeLike
Thank you!
LikeLike
wonderful shots and thanks for the info… I really like the softness of the wine glass shot
LikeLike
Thank you, sayvan.
LikeLike
Thanks for telling us how it’s done!
LikeLike
You’re welcome!
LikeLike
NIce work Carissa. It’s been so long, make that really long, that I attempted any kind of serious still life lighting. I like the Walmart window shade. Back when I did portraits I used shower curtains. I still have a rainbow collection around somewhere 🙂
LikeLike
In my lighting class last semester we shot models in our instructor’s studio and one of the backdrops we used was a shower curtain with a light behind it. It made for a fabulous backdrop! Thanks so much for your kind words, David.
LikeLike
This is great shot, I loved them all. You are amazing, you inspire me too now 🙂 what about with the mirror! Thank you dear Carissa, love, nia
LikeLike
Ever think about charging an instruction course fee? 😉
The lighting here is perfect, of course. I never think of using a reflector card. Thanks for the tips.
LikeLike
Thanks so much!
LikeLike
This still life is so very well done, Clarissa. Love the colours, and the composition too. They are really lovely (I want: peppers & wine)…
LikeLike
Thank you so much, Bente!
LikeLike